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1961 Corvette Art Prints
We have an EXCELLENT line of die-cast Corvette engines HERE. Check out our high-quality Sizes start at 11" x 17" for $99.95 + $6.95 S&H. Here's the story: Starting in 1956 with the arrival of fresh styling and the 265-inch Chevy small-block, Corvettes have been about guts and glamour. Zora Arkus-Duntov provided the guts, and Vice President of GM Styling Bill Mitchell, provided the glamour. While the public got to enjoy this unique blend, deep inside the Chevrolet design center, a war was being waged between these two strong-willed men. Mitchell joined GM in 1935 and was heir to the throne of legendary GM designer (and Corvette creator) Harley Earl. Duntov was hired in 1953, and by 1957 he had been promoted to director of high-performance sales at Chevrolet. In Mitchell’s world, everything was about style. From his silk suits to his long white sideburns and passion for fast cars, style was everything. From Mitchell’s perspective, “engineering never sold a damn thing.” Duntov, on the other hand, was a consummate engineer, a mechanical man for whom form followed function. The glue that kept these two men together was their shared passion for fast cars—especially Corvettes. The evolution of Mitchell’s shark cars began in the mid ‘50s. The 1957 Q-Corvette was the genesis, but it never went beyond a full-size clay mock-up. Mitchell enlisted the help of stylist Larry Shinoda to design a roadster version of the Q-Corvette body that would be fitted to the mule chassis from the aborted Corvette SS racer. Mitchell had two objectives. First, he liked fast cars and wanted to go racing, and second, he wanted to test the public’s response to the new shape. Named “Sting Ray” and raced with Mitchell’s funding, the car won the SCCA C/Modified Championship in 1960. The public loved the new design, and by early 1960 it was decided that the ’63 Corvette would use the styling of the Sting Ray racer. Duntov did not like the new design and let Mitchell know it. The practical Duntov saw the long hood/short deck configuration as being stuck in the ‘30s and an impediment to the driver’s forward vision. Mitchell was outraged that an engineer on a low-volume Chevy would dare to question his design. Mitchell called Duntov “Zorro,” and Duntov called Mitchell “a red-faced baboon.” Obviously, Mitchell won the day, so Duntov set about making the new Sting Ray as good as he could. As work progressed to bring the car to market, Duntov was working on the RPO Z06 “racer kit” option and was letting select drivers—but not Mitchell—sample the new package in a mule car. So Mitchell decided to build his own hot-rod Sting Ray. Named the Mako Shark, after a shark Mitchell caught while on vacation in Bimini, the car was an exaggeration of the production car that was then being built. Once again, Larry Shinoda was charged with working out the styling. Though based on a production ‘61 Corvette, every surface of the Mako Shark was stylized. The car had supercharged 327, a double-bubble Plexiglas roof, side pipes, gills for front cornering lights, vents, scoops, a rear-view periscope, wire wheels, and iridescent blue paint that faded into white along the lower edge. The car was shown at Elkhart Lake in the summer of 1961 and was a smash hit. No sooner had the ‘63 Corvette hit the streets than Mitchell was busy designing the next Corvette. Once again, Larry Shinoda and a small staff were brought in to assist. But this time, Mitchell had an unusual design mandate. Mitchell wanted to see a “narrow, slim, selfish” center section and coupe body, a prominently tapered tail, an “all of one piece” blending of the upper and lower portions of the body, and prominent wheels with protective fenders that were separate from the main body yet grafted organically to it. The end result was the Mako Shark II, and jaws dropped when the full-size mock-up was shown in April ’65. There were two immediate responses: first, build a functioning show car, and second, make the car into the next Corvette. Built on a production chassis fitted with the new 427 engine, the functioning Mako Shark II was loaded with special features. The public was blown away, but again, Duntov was not happy. Management liked the concept because there was little hard tooling to create. Duntov saw it as representing no forward progress and moving further away from his vision of a mid-engine Corvette. Again, Mitchell won the argument, and the Mako Shark II was rushed into production as the ‘68 Corvette. But Mitchell wasn’t quite done with the Mako Shark II. Renamed “Manta Ray,” the car was restyled with a tapered tail, a scooped-out roof, side pipes, and a ZL1 engine. As great as the C2 Sting Ray design was, the Mako Shark II shape would forever define the look of the Corvette. Despite their differences, both Mitchell and Duntov had deep respect for one another. As Mitchell liked to say, they both had gasoline in their veins. Thanks to Duntov and Mitchell, Corvettes would always have glamour and guts. - K. Scott Teeters Here's the story: Illustrated Corvette Series No. 14 - 1961 Corvette Zora Arkus-Duntov was a very adaptive engineer. He had built several racing Corvettes that GM's upper management promptly stopped dead in their tracks. Instead, the ever- creative engineer worked to give buyers the best all-around performance car on the market. Duntov's original plan was to sell two different Corvettes, one "street" Corvette and another "racing" Corvette. When the SS Project was killed in 1957, Duntov decided to create the best of both worlds, a tough-guy street performer that "could" become a competitive racer with the right parts from Chevrolet. This tactic made for great marketing and advertising. |
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